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Category: On the Beat
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A Moment for Chinese Music

28 May 2018
A Triumph for Chinese Music LIU Li — LIANG Nan — Zhang CHUN — Tan Dun Beijing Modern Music Festival Hosts ISCM World Music Days, 2018 in Beijing This is a personal response to the 2018 Festival and does not reflect an official Roger Shapiro …
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Alarm Will Sound @ Beijing Modern Music Festival

28 May 2018
Alarm Will Sound performed at 4pm on May 26, the last day of the ISCM World Music Days, hosted by Beijing Modern Music Festival. Alarm Has Sounded Alarm Will Sound has an aesthetic, and it has a festival in the midwest. I get the impression that …
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The Van Cliburn Effect

9 July 2017
In response to the present desultory state of affairs, we are now seeing some encouraging developments. Call it The Van Cliburn Effect. Shortly after Sputnik put the USSR ahead of the US in the space race, Van Cliburn surprised the world by winning the …
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Julia Wolfe's Steel Hammer

18 December 2016
The Bang on a Can composers are now in the enviable position to compose and produce evening-length works. David Lang’s “love fail” & “Little Match Girl” were followed in 2014 by Julia Wolfe’s “Steel …
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The Volans Speech

22 August 2016
above: composer Eleanor Cory It’s here: https://www.cmc.ie/features/if-you-need-audience-we-dont-need-you Enthusiastically in agreement. One difference: Short works are ok. Regarding young composers, RSF has taken risks on behalf of young …
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The Erotics of Inversion

14 May 2016
Babbitt & The Erotics of Inversion This piece began as a lecture at the Universidad Veracruzana in September, 2015, hosted by Babbitt protégé, Emil Awad. This is rough. It needs all kinds of reorganization. Susan Sontag spoke this way in Against …
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Andrew Imbrie's *Adam*

5 February 2016
Andrew Imbrie is one of the precious few great American composers, and we have to thank Anthony Korf, George Rothman, Harold Rosenbaum, Riverside Symphony, and the New York Virtuoso Singers for championing Imbrie last night with a performance of a …
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21st Century Music

19 October 2015
We are now mostly homophonists improvising primarily with a few big unordered collections of pitches–diatonic & octotonic, whole tone & chromatic hexachords. We are all tired of anything that moves like a row. We are tired of being …
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